a weapon involved with one of the suspects

character – boldly showing up at Étienne’s country estate uninvited and crashing his parties with his wealthy friends – introduce a Coco that knows no social bounds and will vie for hermes kelly walletattention. and suffocating in skin tight outfits, provokes smiles and chuckles from me. Even her new beau, the English businessman, Boy Capel laughs in complicity. of which was photographed by the students.udents are the victims of a hate crime that took place on Sunday, according to Kingston police. The male students, who self-identify as Muslim, were walking home from Empire Theatres near Division St. and Highway 401 at approximately 1:30 a.m. when they were assaulted by four Caucasian males. The assault itself happened closer to the downtown core, at Fraser and Patrick Streets. “We are treating it seriously,”

he said. “It wasn’t just a simple assault, as there was a weapon involved with one of the suspects.” As of Thursday afternoon, the third assailant, a 20-year-old Kingston male, was arrested to be formally charged with Assault with a Weapon, Uttering Threats and Breach of Probation. The first two accused arrested were Kenneth J. Murphy, 19-years-old, and Clayton R. Lee, 18-years-old. Police are still investigating and looking to identify, arrest and charge the fourth and last assailant associated with the attack. Scenes of silence and hollow python birkin bagglassy-eyed stares strike with as much dramatic force and emotion as her pain-stricken words. She resists easy wealth and marriage with Étienne, and instead, vies for a path of lone independence. Fontaine crafts a beautiful film that abandons a

mere retelling of an autobiography for an aestheticized remaking that foregrounds Coco’s tragic realities and social circumstances. Only with a stillness of heart does Tautou beautifully imprint this lasting image of Coco at her height of success and attained maturity, in an iconic structured white blazer and skirt. The python birkin bagNew York Times calls the film “a costume drama worthy of the name”, and I h The cinematography also heightens the contrast between Coco and the women around her: out of a sea of white dresses and white headgear, she stands out as the only woman donning a black drapey dress, in essence, asserting her fashion independence.